Saturday, March 28, 2009
Wednesday, March 11, 2009
the camera starts out in this film motionless, grounded, almost like it's deeply rooted in the side walk or the floor of the subway. the audience is forced to consider one perspective, one shot, for maybe the length that you wait for a bus or a train. In this time you sit and feel and think about your surroundings, a mammoth city, full of large dark buildings and strangers in every shade of the human race. The loneliness of new york has never been so real on film. "News from Home" does not tell you of the loneliness, it is the loneliness. Watching the film I thought about my ex-roommate Edie who moved to NY last fall to study political economics. She was paralyzed by her loneliness at times, growing up in the small town of Carnation WA and having left a tightly knit group of friends and family here in olympia, new york was an overwhelming place to try and find community as a newbie, even for a graduate student. There are different reasons people leave home, to learn to grow, to know more then what their "home" can teach them, to escape from others or try and escape from ones self. I thought about all this as I watched "News from Home". We learn about Chantal's move to the big apple through letters her mother compulsively mails her. Chantal reads them to us. It seems her mother is coping with the vast distance between her and her daughter, writing letters possibly every other day. Watching this film I thought about my own mother and our relationship. It gave me room to think about me and my mom, and to relate Chantal's experience to my own. What an important subject to create personal space for an audience to explore.
I also appreciated the pedestrian means of the production of the film. A tripod, a sub way pass, and a taxi ride are her modes of carrying the audience through her true NY experience. Accessible, unpretentious, and moody.
Sunday, March 8, 2009
Chantal Akerman screening Tuesday March 10th @ 11:30 sharp. I would like to watch all 5 of her films as well as her interview that come along with the Belgium Cineart release I have acquired. We will watch one of her films on Tuesday night, any suggestions/opinions as to which one? If you can, bring a small donation to support the venue. all smiles- Kanako
Friday, March 6, 2009
Thursday, March 5, 2009
On Vertical Film Approach/Method.. in other words, how she goes about/considers the constructing of her work.
"an investigation of a situation, in that it probes the ramifications of the movement, and is concerned with its qualities and its depth, so that you have poetry concerned, in a sense, not with what is occurring but with what it feels like or what it means. A poem, to my mind, creates visible or auditory form for something that is invisible, which is the feeling or the emotion or the metaphysical content of the statement. Now, it may also include action, but its attack is what I would call the vertical attack, and this may be a little bit clearer if you will contrast it to what I would call the horizontal attack, to drama which is concerned with the development, let's say, within a very small situation from feeling to feeling." -Maya Deren